View of the 1912 Portland-Lewiston No. 12, Narcissus
in the Donald G. Curry Restoration Shop at Seashore Trolley
Museum in Kennebunkport, Maine. The number 2 end is seen
on the right. PWM August 21, 2021
The number 1 end is seen on the left.
PWM August 21, 2021
The Narcissus was built in 1912 in Laconia, NH, and operated on the Portland-Lewiston Interurban (PLI) between the two cities from 1914 to 1933. Theodore Roosevelt was a passenger on the Narcissus from Lewiston to Portland on August 18, 1914.
The blog posts include updates on the restoration of the National Register of Historic Places, Narcissus, which is currently taking place at Seashore Trolley Museum's Donald G. Curry Town House Restoration Shop in Kennebunkport, Maine. Posts also include topics; on the connections that Theodore Roosevelt has here in Maine, the PLI and its connections to the communities it served (Portland, Falmouth, Cumberland, Gray, New Gloucester, Auburn, and Lewiston), the builder of the PLI, W. S. Libbey, other electric railway systems in Maine, and people of Maine that had an impact on the electric railway development here in Maine.
This 2021 restoration update includes the work described below:
Passenger Windows -
One of the twenty-six passenger windows with a mahogany
sash. There were nearly twenty original passenger window
sashes in various conditions. Some could be repaired, and
some sash were beyond repair. A replica sash was made with
mahogany where needed. The glass that was missing from
most sashes has been matched to the original and installed.
PWM 1-6-2021 PWM
Vestibule Sash -
The four large vestibule sashes were individually
dismantled and segments were examined. It was
determined that all the sash had received major
repairs over many years. Enough original
segments remained and were utilized as patterns
to make four replacement sash. PWM
Making mortise cuts in the vestibule sash.
Seth Reed
Closeup of the finished product.
Seth Reed
Replacement mahogany sash showing the
craftsmanship of master woodworker,
Seth Reed. Seth Reed Photo
The four replacement mahogany sashes for
the vestibules of the Narcissus. The
extensions at the top are done on purpose to
allow for adjustments while each is being
installed. Each sash will have the extensions
sawn to have each sash fit securely. PWM
Steel Channel/Side Sill Timbers -
These next three photos were first posted in 2019. I include them here for background to the photos, etc. that follow. These three images were supplied to the Museum by the various vendors that had a hand in locating, milling, and delivering the milled vintage southern yellow pine timbers for use in the Narcissus.
In the Springfield, MA area, this 40-foot x 11.5" x 13.5"
timber is about to begin its transformation as two, 37-foot x
5" x 8" timbers are extrapolated during the
cutting/sawing/milling process. The timber milled into
two sills for the Narcissus came from a Brass Foundry that
was built in Connecticut circa 1880.
Once the exterior sides are milled, then the
large timber is sawn in half. This milling
then produces a surprising reaction
from the old-growth timber.
Once the timbers were in the restoration shop for
work to begin to prep for installation, many
of the knots had started to seep sap.
PWM
One of the many knots
seeping sap from the
milled timber that was
initially installed in a
brass foundry during
construction circa 1880.
PWM
These two timbers are incredible.
PWM
One of the two vintage side sill timbers is
matched with its steel channel. Following their
preparation, as a joined pair, the set will be
stored until they are retrieved for installation
in the Narcissus. PWM
After participating in
the matching process with its
partner side sill timber, each
of the steel channels were
prepped and primed. Later
both would be stored in the
54-foot storage trailer that
contains Narcissus components.
PWM
Both steel channels and the sills are prepped and awaiting
being joined with their respective matched partner, then
secured together until it is their turn to be installed in the Narcissus.
PWM
No. 2 End Vestibule -
An October 16, 2017 view of the
number 2 end of the Narcissus. PWM
Beginning early in 2021, the process of dismantling the number 2 end began. Copious photos were taken as the process proceeded. All spaces between components were measured. Each component was measured precisely and all measurements were recorded. The data was uploaded to the files in the Solidworks, 3-D CAD program.
One of the photos taken before starting
the process of dismantling the number 2
end of the Narcissus. Ernie Eaton
Old photographs of the Laconia-built interurbans are helpful when determining the perspective and accuracy of the 3-D CAD model. Below. left, is the number 1 end of No. 12, Gladiolus in the Lewiston carhouse. On the right is a virtual rendering of the number 1 end of the Narcissus generated from the Solidworks program. Ernie has positioned the virtual model of the Narcissus to mimic the position of the Gladiolus. This is not the final rendering and requires additional data along with minor repositioning. As data files of various components are added to the Solidworks program, the virtual model of the Narcissus becomes more complete. This step is but one of many to assist Ernie in determining the accuracy of placement of the thousands of individual component files that make up the Narcissus.
Ernie Eaton is the restoration shop project manager overseeing
all aspects of the restoration of the Narcissus. He secured the
license for the Museum to use the Solidworks 3-D CAD
software. Ernie enters all data (thousands of individual data
entries) files into the program then becomes
available as a virtual 3-D model.
The dismantling process of the number 2 end of
the Narcissus has begun.
March 2021 - Ernie Eaton
One of the original stained glass windows in its mahogany
sash from the 1912 Arbutus. This window is from the clerestory
on the number 2 end of the Arbutus. I use this window
as a display item when we have a canopy with tables with
displays during a community event and during a Museum event
or a speaking engagement. This image, it is used
as a backdrop in my cottage during Zoom meetings. PWM
Woodwork being done on the No. 2 End -
Seth Reed is the master finish woodworker in the
Museum's restoration shop. Seth is seen here making cuts to
a block of ash that will become a replacement component
for the Narcissus. Seth and Ernie examine and test each of
the wood components that were removed from the Narcissus
to determine whether the component can be repaired
and reused or if a new replica component needs to be produced.
Ernie Eaton
Ash components that have been reproduced or repaired.
PWM
A reproduced component is attached to an original.
PWM
The same components as in the above photo show the
damaged end on the original. PWM
Many of these wood components from the number 2 end have
many complicated cuts.
PWM
The window post attached to the original is secured together
with green painter's tape. The repaired post is on the top. One
end of the very complicated corner door post is seen in the
foreground. PWM
Repairs are seen on one of the several cross-braces for the
dasher underneath the vestibule windows.
PWM
Closeup of a couple of repairs. The repaired door post seen
on the left is seen nearly complete in the photo below
PWM
Repaired window post.
5-19-2021 Seth Reed
The reverse side of the repaired window post.
5-19-2021 Seth Reed
Viewing some of the complicated cuts
of the doorposts. 5-1-2021 Seth Reed
The opposite end of two of the door posts.
5-1-2021 Seth Reed
Laura Libbey Conley, great, great-granddaughter
to W. Scott Libbey, builder of the PLI, expressing
her excitement at seeing the quality of
the finished woodwork of the complicated doorpost
from the number 2 end of the Narcissus.
8-7-2021 PWM
A short video clip of one of the replacement ash
door posts for the number 2 end of the Narcissus
Click Here to see the YouTube clip if you are unable to open the embedded link above
Steel I-beams No. 2 End Vestibule -
The PLI interurban's original construction included two
47-foot-long steel I-beams down the center of the full length
of the coach. Wood was set on the sides of each of the
I-beam for use to secure various components and wood
crossbeams. Ernie Eaton
The ends of the I-beams supporting the vestibules were in
very poor condition. The ends of the I-beams were cut and
the sections were removed from about where the bulkheads
are located in the passenger compartment. New I-beams
were welded into place. Ernie Eaton
Closeup of the original steel I-beams on the
number 2 end of the Narcissus. Ernie Eaton
The top I-beam segment is one of the two
original ends cut from the number two end
I-beams. The I-beam below is one of the two
replacement steel I-beam segments that will be
welded into place. Ernie Eaton
Westinghouse Multi-Unit & HL Controller - The Westinghouse HL control Multi-Unit seen below was one of the many then-declared obsolete items retrieved in the mid-to-late 1960s from the Boston 'T''s Everett shops. One of two HL-15-B Westinghouse Multiple Control System controllers is attached to the Multi-Unit. Also in the late 60s, a trade of components was made with BAERA (Bay Area Electric Railroad Association) in Suisun City, CA for the two controllers.
The Westinghouse Multiple Control System with an HL-15-B
controller is attached temporarily while the system is
prepped for testing. PWM
Ernie Eaton seen here is about to conduct a test of the
HL-15-B controller and its connections with the Multi-Unit
as the controller is engaged through the various "notches"
of series and parallel. PWM
Ernie Eaton demonstrates the process of engaging the
HL-15-B controller. The test setup includes an airline feed,
a custom-made resistor grid, and a pair of light bulbs with
special wiring. As the controller is engaged with each "notch"
the brightness of the light emitted from the bulb(s) varies
in brightness as contact with each notch is made in
series and parallel. PWM
~~~~~~~~~~~~~~~
We continue the restoration work on the 1912, Narcissus, the only surviving high-speed, luxury interurban coach of the Portland-Lewiston Interurban.
Click Here: Narcissus Restoration-Related Posts
Being more than a century old, the stately, "Elegant Ride," Narcissus, is a gem. This shimmering precious stone of Maine transportation history is brilliantly resplendent as it emanates so many elements of history, including; time, places, people, and events, that it was coupled to, that when just a smattering of its seemingly innumerable stories are shared, the contents captivates, fascinates, then generates, interest to learn more 🙋. The majestic Narcissus is listed in the National Register of Historic Places.
Please consider joining the epic journey to complete the Narcissus Project by making a donation today!
Click Here: Donation Options
The restoration of this majestic icon of Maine's electric railway history is but one in a series of captivating stories containing an abundance of incredible coalition of narratives.
Click Here: History-Related Posts - Narcissus and Portland-Lewiston Interurban
The Narcissus is featured in the national Gold Award-winning novel, Teddy Roosevelt, Millie, and the Elegant Ride. The "Elegant Ride" is the Narcissus. Theodore Roosevelt was a passenger on the Narcissus on August 18, 1914, between Lewiston and Portland, Maine, while campaigning for the Progressive Party candidates.
Click Here: Bookstores and Businesses promoting the Narcissus Project
Independent book publisher, Phil Morse, holding
the Gold Book Award Winner plaque for
the Middle Reader category for The Eric
Hoffer Book Award. Congratulations to
award-winning Maine author,
Jean M. Flahive
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