Showing posts with label J Henri Vallee. Show all posts
Showing posts with label J Henri Vallee. Show all posts

Saturday, June 8, 2024

Narcissus Restoration Update June 8, 2024

The Narcissus, in a promotional advertisement by the Miller
Trolley Shoe Company in Boston, MA in the later "teens"
of the 20th century featuring the new technological advancement
that is highlighted in the circle in the top left of the image.
The innovative trolley "shoe," with a replaceable carbon
insert, was used in place of the brass trolley wheel to conduct
electricity for use operating the high-speed, luxury interurbans
of the Portland-Lewiston Interurban.
Photo in the O. R. Cummings Collection

    The Narcissus was built in 1912 in Laconia, NH, and operated on the Portland-Lewiston Interurban (PLI) between the two cities from 1914 to 1933. Theodore Roosevelt was a passenger on the Narcissus from Lewiston to Portland on August 18, 1914. 

     The Narcissus1912 blog posts include updates on the restoration of the National Register of Historic Places, Narcissus, which is currently taking place at Seashore Trolley Museum's Donald G. Curry Town House Restoration Shop in Kennebunkport, Maine. Posts also include topics; on the connections that Theodore Roosevelt has here in Maine, the PLI and its connections to the communities it served (Portland, Falmouth, Cumberland, Gray, New Gloucester, Auburn, and Lewiston), the builder of the PLI, W. S. Libbeyother electric railway systems in Maine, and people of Maine that had an impact on the electric railway development here in Maine.

    Restoring historic electric railway transportation vehicles is challenging, expensive, and can take years with thousands and thousands of labor hours. With a project like the historic, Narcissus; retired from public service in 1933, stripped of all original mechanical and electrical components, its body serving as the Vallee family summer camp for 35 years, takes the work to complete the restoration to a higher level, full of challenges. Animated, virtual 3-D technology, has become a critical ally in helping overcome some of the inherent challenges.

This restoration update focuses on the work associated with the "Body Truss Rods." The details of the various steps involved, working on trusses, and the associated components as reported by Ernie Eaton.
Ernie is one of the restoration shop staff members. He is the project manager of the Narcissus, overseeing all aspects of the restoration work involving the Narcissus. He, with other restoration shop staff and volunteers, together, work on moving the Narcissus restoration project forward.

First, some information on what the truss rods are, some of the associated components, where they are located on the Narcissus, and how virtual 3-D CAD software by Solidworks, is utilized to help with the restoration work. Then, into the details of the truss work.

Definitions: From the 1911 publication; Electric Railway Dictionary 1911

Body Truss Rod
A round iron or steel rod from 1 in. to 1 1/2 in. in diameter which extends from end to end of the car under the longitudinal sills. It is anchored near the ends of the longitudinal sills or to the end sills and passes over the bolsters and under the queen posts dropped from the needle beams. It thus forms a shallow truss with the longitudinal sill above it and materially stiffens the underframe against sagging in the center. From two to four truss rods are used under long interurban cars and many double-truck city cars of only moderate length. (See Overhang Truss Rod.)

The red circles indicate where the ends of the body truss rod are anchored on the base
of the side sill where the bolsters and the body truss rod saddle connect. The yellow
circles indicate where the body truss rod queen posts drop down from the needlebeam
and attach to the body truss rod. The green circle indicates where the body truss rod
turnbuckle connects the threaded interior ends of the body truss rod.
Photo in the O. R. Cummings Collection

Body Truss Anchor
A casting bolted to the underside of the side sills at or outside of the bolsters to which the ends of the body truss rod are secured. The truss rod is sometimes carried on a saddle on top of the bolster and extends through the end sill, where it is fastened with a large nut and washer on the outside face.

Body Truss Rod Queen Post
A strut dropped from the needlebeam against which the body truss rod bears.

Body Truss Rod Saddle
A bearing for a continuous body truss rod on top of the body bolsters.

Body Truss Rod Turnbuckle
A turnbuckle (which is) used to tighten up the body truss rods. Inserted at or near the center of the car.

Needlebeam
A cross member of the underframe between the bolsters. Two such beams are usually used and the body truss rod queen posts are dropped from them. The terms cross frame tie, cross bearer, cross tie, cross tie timber, and, body transom are all applied to this piece, but the term needlebeam, which is borrowed from bridge engineering, while not truly descriptive, is accurate and distinctive.

Closeup

The two original body truss rod turnbuckles from
the Narcissus. Both are totally cleaned up and ready when it's
their turn to be reinstalled. EE photo
The above image of the Narcissus is a screenshot of the 3-D
 virtual model generated from the digital
files uploaded to the Solidworks software. As Ernie creates more 
digital files of components and parts, the files are uploaded, and
the more complete the digital model of the Narcissus will become. EE

Screenshot EE

A screenshot still is taken from the short virtual tour video of the Narcissus,
created by the Narcissus Project Manager, Ernie Eaton. The Solidworks,
3-D software has been an important tool in the restoration of the Narcissus.
See the short, 3-D tour of the Narcissus: Click Here (from 2020). Screenshot EE

    The virtual tour video is rendered from the SolidWorks software that is made up of files of the various individual components that have been specced out and uploaded. Files upon files. Layers of files. A work in progress. As files of more components are added, and specs verified, the "Narcissus" model becomes more complete. 

Screenshot EE

    Using the Solidworks virtual 3-D model for working on the overhang truss rods on each side.

The overhang truss rod (see the blue rendition in the screenshot of the virtual 3-D image) 
is another challenging project within the restoration of the Narcissus passenger
compartment. Screenshot EE

Overhang Truss Rod
An inverted body truss rod (which is) occasionally used on long cars to support the overhanging ends of the car body. It consists of an iron strap framed into the side posts just below or alongside the belt rail and extends parallel to the side sill between the bolsters. It is supported by struts or queen posts over the bolsters and is bent downward beyond them to attach to anchors on the side or end sills. Also called (the) overhang brace rod.

Overhang Truss Rod Anchor
A strap or cast washer (which is) used to secure an overhang truss rod to the side or end sill.

Overhang Truss Rod Strut
A strut supporting an overhand truss rod on top of the body bolster. In some types of construction, it is formed in the shape of a bent knee.

The blue-colored overhang truss rod is seen in the screenshot of the virtual 3-D model
of the Narcissus. The red circles indicate where the ends of the overhang truss rod
anchor to the bottom of the side sill. The truss rod literally, passes through the side sill.
 The yellow circles indicate where each overhang truss rod strut is located in the
interior of the exterior wall of the passenger compartment of the Narcissus.
Screenshot EE


Closeup

  
At least one of the overhang truss rod anchors
was broken beyond repair. A new replacement was cast - PWM

Separating these is a difficult task - PWM

A couple of photos of the two types of trusses followed by Ernie Eaton's report on the work that followed.

Original body truss rods of the Narcissus and related components
Once the work is completed, it can then be used to help align
the necessary cuts/holes in the side sills. The opposite ends are threaded
where a body truss rod turnbuckle is attached. Ernie Eaton photo

The ends of the body truss rods at the bottom of the image
are called anchor ends. The other ends are threaded. A body truss
rod turnbuckle is threaded onto the ends.  Ernie  Eaton photo

One of several square-headed bolts
removed once the body structure was raised
high enough so the bolts were accessible.
Ernie Eaton photo

PLI Car No. 14 - Narcissus
Upper Truss Repairs
Ernie Eaton
Revision June 1, 2024
All photos/drawings are by Ernie Eaton

The upper trusses (Overhang Truss Rods) are comprised of a one-half inch, by 2" flat bar, that passes through notches in the window posts and rests on cast iron towers (Overhang Truss Rod Struts) above each car bolster end. The bar stock is bent at a 150-degree angle and ends about 30" from the bend. (A) 1 1/8" round bar is forge-welded to the bar stock. This round rod passes through the holes in the wood side sill, and a cast iron anchor casting that applies the lifting force to the underside of the wood sill. The end of each rod is threaded and a nut is used to adjust truss tension. The entire assembly is approximately 424 inches (35 ft. 4 inches) long. This trus assembly is used to transfer some of the weight from each compartment end to the bolsters. The bolsters are in turn supported by the trucks. 


                    35'                                             Overhang Truss Rod

Condition
The ends of the round rod in the area that passes through the wood sill were badly rusted. Nuts were rusted in place and could not be removed without heating.

                     Nut with paint covering rust where               Original rod end with rust where it 
                     it contacts casting.                                          it passed through the wood sill.

The shape of the truss and the angle of the holes that pass through the wood side sill trap it in place. We opted to cut the round rod at a place that could eventually be repaired by welding. Once freed from the sill the round rods were heated and the nuts removed. At some point in the past, before cutting the rods, someone cut one of the nuts apart to facilitate its removal. during its life at Sabattus Lake, a shed-like addition was added to the No. 1 left side just aft of the smoking compartment. The truss's flat bar, which is let into the exterior wall just below the window sill, was cut at each end of the opening into the shed and removed. At some point at STM, a replacement steel flat bar was fit and welded in place. This bar was then cut once again at one of the welds by someone during the sill disassembly.

Wrought Iron
Several years ago I bend-tested a verticle tie bolt that I had welded. The boundary between the old metal and the weld was brittle and it broke easily without bending the surrounding metal. We then had various metal components chemically tested and discovered that I-beams and C-channels were steel, but the trusses and the tie bolts were wrought iron. This led us to assume that the upper truss bar (Overhang Truss Rod) was not repairable or would require brazed reinforcements at repairs. The Museum purchased a TIG welder at the end of last year (2023) and I decided to verify if the upper truss (Overhang Truss Rod) was weldable.

Weld Tests
A section of the original square bar and the newer steel from the previously repaired area was (then) cut free and then bend-tested using the hydraulic press in the metal shop. This weld broke easily with little movement of the force pressure gauge or bending of the base metal. The weld had been applied to the exposed surfaces of the bar pieces with no apparent chamfer resulting in very little penetration and a significant portion of the joint cross-section remaining unfused. The weld, tore the surface of the wrought iron away from the bar when it fractured.

                      Original truss bar material showing                Replacement bar with weld still 
                      where the weld tore away from the                 attached but did not penetrate through
                      base metal when bend-force was                     the full cross-section.
                      applied.

A test weld of the original flat bar and the new A-36 grade material was performed. Some experimentation with a test sample resulted in porosity when mild steel filler was used (ER70-S6), and cracking when thin welds with stainless 309L filler was used. Preheating and more careful, thicker welds with stainless, paying attention to slowly ramping up and down the heat and extra fill at the end of each weld produced better results. During the first passes of weld on the wrought iron faces variations in the arc occurred occasionally presumable indicating impurities in the material. The weld puddle would take longer to wet out when this occurred.

For the test weld the material was preheated to 300-400 degrees then TIG welded with 309 L stainless filler rod. Interpass temperatures were kept to less than 600 degrees. The weld was then tested in the press using the previously described process and resulted in all three materials (original wrought, weld zone, and A36) yielding/bending with no apparent cracking.

Three materials: original wrought, weld zone, and A36 - yielding/bending with no apparent cracking

Round rod test repairs were also tested with similar results

Flat Bar Repair
The left side upper truss assembly (Overhang Truss Rod) was cut through the original metal next to welds done during earlier restoration work. A new appropriate length section of A-36 grade 2x1/2" bar was welded in place to restore the truss' flat bar section.

The red circled area is where the weld repair was done above
and also in the close-up below


Round Rod Sections
Replacement round rods with threaded ends were fabricated. These rods are 1 1/8" in diameter yet the ends have 1 1/4" threads. Two possible fabrication methods could have permitted this. A blacksmithing process called "upsetting," can be used to increase the diameter of a bar while reducing its length. The bar is heated to a plastic state in an area to be expanded and then stuck on either end (which need not be heated). This would have allowed the blacksmith to create a section of the rod that was 1 1/4" in diameter. Alternatively, a thread rolling (vs cutting) process could have been used. As the thread rollers are forced into the rod's surface the displaced metal expands outward to form a portion of the threads. Based on data available for manufacturing 1" threads, the required material to produce 1 1/4" threads would be approximately 1 1/8" in diameter. My assumption is that the upper truss' threads were roll-formed although the lower trus rods which have 1 1/2" threads appear to have been cut. Rolling requires specialized hardware and currently available tools seem limited to producing a maximum of 1" diameter threads.

We opted to build up the threaded area by welding and then turn the area (to be) round and then "single-point" thread them on a lathe. The MIG process was used with ER70-S6 wire to do the initial build-up with the rod preheated to about 400 degrees.

The welded area was then annealed by heating until it glowed red then slow-cooling it in a bucket of wood ash. We believe without this step the weld material would have been hard in areas making threading difficult. The heated rod is immersed into a bucket of wood ash which acts as a non-flammable insulator.
This slows the cooling of the metal which leaves it annealed.

The shafts were then rough-turned to reveal any under-filled areas. These areas were then filled using the TIG welding process. MIG was used because of its high deposition rate. While we could have done two layers of welds to ensure sufficient coverage it was quicker and less costly to touch up low spots. TIG was used for this because it is easier to match the surrounding area without excessive buildup which would have increased the subsequent lathe-turning time. The part was once again annealed after the weld touch-up. They were then turned to finish size and threaded on the lathe.

Left - volunteer, Kevin Dyer, machining threads on a rod. 



Once threaded, the rods are cut to the proper length for the intended location. The original ends measured 64 1/2" from the center of the flat bar bend. The blacksmith had punched a mark to locate the bend point, making this measurement easier. The replacements were cut to produce a finished length about 1/2" longer. The originals appear to have been cut flush with the top of the installed nuts and we plan to do the same. The original and new round road material was then ground to a 30-degree bevel to facilitate welding. A jig was made from angle and flat bar to facilitate clamping and the repair was welded using the TIG process tested previously.

Only one round rod repair was welded to each truss assembly. The repaired truss end will be installed into the wood side sill then the truss will be fitted into place on the car. We will locate and weld the opposite end repair with everything in its final location.


Truss Adjustment Nuts
Three of the nuts were in generally good condition with some missing metal from corrosion where the nut flats came in contact with the anchor castings. Newly manufactured nuts have smaller external dimensions and a different appearance. We chose to refurbish the originals. The original lower truss' nuts were sandblasted. The threads were cleaned using a threading tap. Areas with significant corrosion were TIG brazed with silicon bronze and ground flat using a handheld angle grinder. Each nut was then installed onto one of the threaded replacement rods still in the lathe and machined to form a clean surface perpendicular to the threaded hole. The nut that had been cut through required more brazing. The middle image below, showing the machined face reveals the larger area repaired on the nut that had been cut. The same TIG brazing process was used and what brass bled through the cut into the threads was cleaned up with a tap.


This was our first use of the TIG brazing process and it was quite effective given the ability to control the shape of the brass buildup.

Fabricated round rod repair section welded onto original truss assembly

Replacement and an original
~~~~~~~~~~~~~~~
We continue the restoration work on the 1912 Narcissus, the only surviving high-speed, luxury interurban coach of the Portland-Lewiston Interurban. 

Click Here: Narcissus Restoration-Related Posts

Being more than a century old, the stately, "Elegant Ride," Narcissus, is a gem.  This shimmering precious stone of Maine transportation history is brilliantly resplendent as it emanates so many elements of history, including; time, places, people, and events, that it was coupled to, that when just a smattering of its seemingly innumerable stories are shared, the contents captivates, fascinates, then generates, interest to learn more 🙋. The majestic Narcissus is listed in the National Register of Historic Places.

Please consider joining the epic journey to complete the Narcissus Project by making a donation today!

Click Here: Donation Options

The restoration of this majestic icon of Maine's electric railway history is but one in a series of captivating stories containing an abundance of incredible coalition of narratives.

Click Here: History-Related Posts - Narcissus and Portland-Lewiston Interurban

     The Narcissus is featured in the national Gold Award-winning novel, Teddy Roosevelt, Millie, and the Elegant Ride. The "Elegant Ride" is the Narcissus. Theodore Roosevelt was a passenger on the Narcissus on August 18, 1914, between Lewiston and Portland, Maine, while campaigning for the Progressive Party candidates.

Click Here: Bookstores and Businesses promoting the Narcissus Project

Independent book publisher, Phil Morse, holding
the Gold Book Award Winner plaque for
 the Middle Reader category for The Eric
Hoffer Book Award. Congratulations to
award-winning Maine author,
Jean M. Flahive

Saturday, February 8, 2020

Mahogany, Mahogany, & More Mahogany - Narcissus Restoration Update 2-8-2020

April 1992, No. 1 end of the 1912 Narcissus is showing its age
and its white-painted mahogany components; the interior of
doors, bulkhead, and vestibule ceiling. Tom Hughes Collection

No date on this interior image of the Narcissus. Mid-80s image?
One of the items we can pick out from this image is which panel
has the gold leaf "14" attached. This image has us looking at the
number 2 end bulkhead. The doors are still attached to their
hinges and all mahogany panels on the window posts are still
in place. This image helps us in part as a "before" image.
Image Donald Curry slide collection 

Handling the existing mahogany panels today that are from the 
Narcissus when it received cleaning and had various materials
applied to the cleaned exterior face of the panels in the 90s, 
the "14" was not to be found on any panels. Fortunately,
the Gray Historical Society has the original mahogany
panel from the Arbutus, sister to Narcissus, with the "10"
clearly visible. We will be able to use this "10" to create
the gold leaf "14" for the Narcissus panel when it comes
time to have that work done. PWM image.

This image has the "14" barely visible probably after the
mahogany was cleaned in preparation for applying a coating
of varnish or shellac composition. You can see that the sliding
doors in the bulkhead are still attached and operable. You can
see one of the window frames still in place in the vestibule
with some white paint still visible from when the coach
was at the Vallee summer camp. As a camp, the lights were
rewired for 120v AC use. Notice the dangling on/off-chain.
 May 1992 image from Tom Hughes Collection

Closeup of the "14" from the previous image

Early in 2019, the various mahogany pieces were brought
upstairs to the woodworking shop for assessment and
then inventoried. This image shows but a very small
portion of the hundreds of original mahogany components
removed from the interior of the Narcissus. PWM image

We were so fortunate to have Seth Reed start working in the
shop on the Narcissus during the first week of February 2019.
Seth's woodworking experience on historic preservation
projects is just what Narcissus needed. Seth is seen
here doing the painstaking task of removing coating materials
from existing mahogany components. PWM image

An interior image of one of the
Four of these original coaches were built in 1912
were identical. This image is believed to be
of No. 10, the Arbutus.  Looking at the
No. 1 end of the coach. Through that
single door is the smoking compartment.
Literally, all the wood in this image is
mahogany. The seat handle assemblies,
all the trim, panels, arches, ceiling
panel strip dividers, on and on...

These are panels from the Narcissus that are the same as the
ones that can be seen in the Arbutus image above. The
panel on the left with the hole in the center is the panel
seen above where the rope for the bell travels through
for use in communicating signals to the motorman
and conductor. The "lines" seen along the borders
of the panels are three lines of inlay. The centerline
of the inlay is "black" Ebony (wood) which is then
bordered on both sides with "white" Holly (wood).

The door on the right is 
the bulkhead door from the
number 2 end that separates
the passenger compartment
from the vestibule. You can
see a similar door is in place in
the Arbutus interior image
a few slides above.
The door on the left is one
of the sliding doors for
the bulkhead between the
passenger compartment and
the smoking compartment.
PWM image

Seth is seen here removing the coating from one of the sliding
doors for the bulkhead between the passenger compartment
and the smoking compartment. PWM image

Original brass handles from several of the doors in the
Narcissus. PWM image

Seth working on one of the
sliding doors. See the mahogany
in the background that Seth has
previously removed materials
to reveal the original wood
and inlay. PWM

These doors received
attention in the mid-90s or
very early 2000s. They
need repairs. PWM

Seth has this door set up and is making repairs. PWM

Closeup of one area of repair. PWM

An interior image from September 1995 of the bulkhead
separating the passenger compartment from the number 2
end vestibule. Some mahogany panels were removed. The
large arched panel with inlay is still in place.
The remaining smaller center panel with its hole for the signal
bell rope is still in place. Sliding doors were removed.
Image from Tom Hughes Collection

Seth with the large arched panel pointing to the inlay.
PWM image

Seth's finger is pointing at the section of the inlay in need
of repair. The center inlay of "black" Ebony (wood) is
bordered on both sides with "white" Holly (wood).
PWM image

There are dozens and dozens of mahogany trim boards. Many
of these trim boards are also decorated with the same inlay
pattern. Here Seth shows us where a repair has been made
to one piece after the coating of varnish/shellac materials
was removed. PWM image

The left side corner of the passenger compartment/bulkhead
on the number two end of Narcissus in May 1992. You can see the sliding
door in the bulkhead in place. The window in the bulkhead is in
place. The interior of the vestibule and door has white paint.
Look to the left at the arched single-sash window. This is
another clue that this is the number 2 end of the Narcissus. 
The number 1 end has the smoking compartment and there
are a pair of passenger windows together with one large
ornate leaded stained glass window "Eyebrow" above the
pair.  In this image, please notice the upper portion of
the vertical trim board to the left of the arch/passenger
window. These are made up of two pieces of mahogany.
See more below. Tom Hughes Collection.

Another May 1992 image of the interior of the Narcissus.
The vertical center window post that seems to be separating
the arch down to the lower wall has a mahogany trim
faceboard covering. These boards have no inlay decorations.
The window post between each pair of windows extends up
towards the upper, wider, horizontal trim board. 
The faceboard covering has mahogany trim with
vertical window posts that have a decorative inlay.
Tom Hughes Collection

June 20, 1995, black and white image with a closeup of the
two-piece vertical window post mahogany trim face-board.
You can see the trim board that has the decorative inlay
extends up beyond the stained glass window arches. This trim
board with inlay is attached to the mahogany board that you
can see in this image where the bottom of each arch ends at
the top of the board the inlay trim board extends from. 
See the image below for clarity. Tom Hughes Collection

These are all from the Narcissus interior. The pairing of
boards in the background are ones for the facing of the
interior window posts between each pairing of passenger
windows. PWM image

Here is a closeup of the joined pieces.
The delicacy of the inlay and how
beautifully the inlay compliments the
mahogany is a work of art.
Thank you, Seth, for your dedication to
bringing out the beauty of this woodwork
PWM image 

Window post facing that has no inlay for the posts "separating"
the stained glass window arches. PWM image

1969. Here is the  Narcissus at the Museum in March 1970.
The number 2 end shows only one window sash on the left
side of the vestibule. The vertical tongue and groove dasher
boards are missing under the window opening on the right.
This left the inner mahogany panel exposed to the weather.
Paul Kehoe Collection at STM Library
       
Narcissus (on the left) at the Museum in November 1971.
The number 1 end vestibule window sash and train doorway
exposed to the weather.
Paul Kehoe Collection at STM Library

Number 1 end of Narcissus today. To either side of the train
doorway (center opening) in the lower section of the
interior of the vestibule, are two mahogany panels. The pattern
of these panels is the same as the pattern you see here on
the lower panels of the bulkhead. PWM image

A closeup of the pattern of the mahogany
panels in the vestibules. PWM image

The panels had been painted white when Narcissus
was at the Vallee summer camp. PWM image

Once stripped, the condition
of each panel was assessed.
PWM image

Repairs by Mr. Vallee varied. Repairs will be made where
practical. Replacement of sections or complete panels may be
necessary. PWM image

This panel was missing an end section. PWM image

It cleaned up pretty well. PWM image

Vestibule window sash that survived.
On initial inspection, it was thought
there was one that was completely original. Upon
a more detailed inspection, which included
dismantling, the sash, it became clear, that there
were repairs made to varying degrees to both.
Repairs and replacements will be in order.

This is not the Narcissus. It is its sister
PLI coach Gladiolus. However,
the Narcissus was involved in several
accidents over its 19 years of service
operating on the Portland-Lewiston
Interurban line. The likelihood that
vestibule windows needed
repairs following any of those accidents
is a very strong possibility. Image
from Seashore Trolley Museum Library

Vestibule window sash inspection up close. PWM image

Here is an image of the lower right side of the Narcissus.
The closest is the smoking compartment on the number 1 end,
with the passenger compartment trailing off to the left. Each
of the openings seen below the beltline (the horizontal
length of wood running the entire length of the body attached
to the vertical window posts), above the side sill, is where
a panel is attached with a mahogany veneer facing towards
the interior (see image below). PWM image

One of the mahogany veneer panels is seen from the interior
of the Narcissus. The outline seen is made from the metal
plate frame assembly that holds the passenger seat cushion.
February 2001 Tom Hughes Collection

Not all, but a number of these mahogany veneer panels
survived and are in various degrees of condition. Like many
components in the Narcissus, the repair or replacement of
these panels is complicated and time-consuming. PWM image

Above is seen the outer veneer of one panel that clearly
attaches where metal supports are located.  To the right is
a panel that its mahogany veneer faces toward the interior of
the car and you can see the holes where the seat bracket attaches.
PWM image

Each panel starts with an inner layer of boards that are
tongue and groove. Each side then has a veneer layer of 
either poplar or perhaps birch, then the side facing the interior
of the passenger compartment has a veneer layer of
mahogany, while the side facing the exterior of the
coach has an additional veneer layer of poplar or birch.
PWM image
~~~~~~~~~~~~~~~
We continue the restoration work on the 1912, Narcissus, the only surviving high-speed, luxury interurban coach of the Portland-Lewiston Interurban. 

Click Here: Narcissus Restoration-Related Posts

Being more than a century old, the stately, "Elegant Ride," Narcissus, is a gem.  This shimmering precious stone of Maine transportation history is brilliantly resplendent as it emanates so many elements of history, including; time, places, people, and events, that it was coupled to, that when just a smattering of its seemingly innumerable stories are shared, the contents captivates, fascinates, then generates, interest to learn more 🙋. The majestic Narcissus is listed in the National Register of Historic Places.

Please consider joining the epic journey to complete the Narcissus Project by making a donation today!

Click Here: Donation Options

The restoration of this majestic icon of Maine's electric railway history is but one in a series of captivating stories containing an abundance of incredible coalition of narratives.

Click Here: History-Related Posts - Narcissus and Portland-Lewiston Interurban

     The Narcissus is featured in the national Gold Award-winning novel, Teddy Roosevelt, Millie, and the Elegant Ride. The "Elegant Ride" is the Narcissus. Theodore Roosevelt was a passenger on the Narcissus on August 18, 1914, between Lewiston and Portland, Maine, while campaigning for the Progressive Party candidates.

Click Here: Bookstores and Businesses promoting the Narcissus Project

Independent book publisher, Phil Morse, holding
the Gold Book Award Winner plaque for
 the Middle Reader category for The Eric
Hoffer Book Award. Congratulations to
award-winning Maine author,
Jean M. Flahive